Rydges opens Fortitude Valley

Rydges opens Fortitude ValleyWhen  it  opened  last  month,  Rydges  Fortitude  Valley  introduced  an  inspired  and  interesting architectural design statement to the city’s RNA and Lend Lease Showgrounds precinct currently in the throes of a major $2.9 billion redevelopment. In context with its location within the ‘Ekka’ surrounds, Rydges Fortitude Valley has added a slice of country hospitality to the heart of the city, albeit within a modern and contemporary building defined by its retro lines. Architect Ashkan Mostaghim, Director, Mostaghim & Associates said the building deisgn takes its cue from the Brutalist* architectural movement, albeit with a ‘soft’ approach.

Timber decking, planter boxes, stone-­‐cladding, a finely detailed glass awning and a variety of outdoor furniture breaks down the scale of the building.

Situated opposite the Royal International Convention Centre forecourt and alongside King Street  -­‐ which  is  the  new  main  street  created  for  the  precinct  –  the  hotel’s  position  is  key  to  the  RNA  masterplan that called for a memorable building that would be a place marker.

In  order  to  make  the  most  of  the  site  and  physically  connect  the  hotel  to  the  site  Mostaghim  &  Associates deviated away from conventional hotel design. “We did not place the porte-­‐cochere and hotel entry on the main street. Instead, we created a cobblestoned laneway across the back of the site in which we placed the porte-­‐cochere and main entry. Typical hotel design would be to put the porte-­‐cochere and entry on the most prominent street but this pulls the hotel’s public areas off the street frontage and removes the human connection to it’s location. It becomes almost an island.

Ashkan also commented that this design strategy allowed them to position the hotel lobby bar and restaurant right on the footpath along King Street with outdoor seating spilling out on the footpath as well as a standalone bar on Gregory Terrace with a large alfresco deck around the heritage listed fig tree.

“The  idea  that  hotel  facilities  are  exclusively  for  hotel  guests  is  shifting  and  our  design  creates  a  neighbourhood bar, cafe and restaurant. This has activated the street edge and has helped creat a lively new precinct. The hotel adds life to the street and the street adds life to the hotel.” Rydges Fortitude Valley has been designed to suit its long and narrow site and as such takes the form of a narrow building with rooms on either side of a central corridor.

Other elements like the two-­‐storey recycled timber wall which forms the feature of the reception area are quite bold to match the scale of the architecture; the majority of the interior is not as bold as the exterior and it is with this use of restraint and subtlety that the soft form of Brutalism comes out. The rooms, also while simple and sharing the base black and white colour scheme of the exterior, have their own style. In terms of interior design, the hotel’s style reflects not only the industrial aesthetic that relates to the buildings of the RNA but also the gritty yet trendy suburb of Fortitude valley. The aesthetic of the public areas is luxurious with a refined industrial feel. “We have employed concrete, recycled timber and black steel but have matched it with Persian-­‐style carpets, leather, polished timber and marble. It is these contradictions that make the design interesting,” said Ashkan.

Beyond the aesthetic Mostaghim & Associates also wanted to have a direct connection to Queensland and the RNA. In the restaurant, the menu focuses on paddock-­‐to-­‐plate and bringing the country to the city, much like the Ekka. “Inspired by the country kitchen, we used grooved timber cladding for the walls, retro-­‐inspired carpet, timber baskets and a feature wall of selected antique china plates.

“In the bar, the walls are adorned with artwork that feature covers of ‘The Queenslander’, a magazine from  the  1930’s  while  the  bookshelves  contain  books  about  Australian  agriculture.  The  bar  also  features a large Ekka-­‐inspired mural by acclaimed Australian artist, Guido Van Helten.” In speaking about the overall feel achieved, Ashkan said his firm believes in thinking ‘outside of the box’ and this also features in the company’s material selection.

“Our use of industrial-­‐style screens, but in gold, have created a  feature screen in the porte-­‐cochere and pool area. Coincidentally, we designed the hotel in 2013 and incorporated a number of small gold details in the design and late in 2015 design forecasters predicted ‘gold’ would be the ‘it’ colour of 2016.



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